What is satire? Here’s a quick and simple definition:
Satire is the use of humor, irony, sarcasm, or ridicule to criticize something or someone. Public figures, such as politicians, are often the subject of satire, but satirists can take aim atother targets as well—from societal conventions to government policies. Satire is an entertaining form of social commentary, and it occurs in many forms: there are satirical novels, poems, and essays, as well as satirical films, shows, and cartoons. Alec Baldwin's impersonation of Donald Trump on Saturday Night Live is an example of satire.
Some additional key details about satire:
- Satire is a bit unusual as a literary term because it can be used to describe both a literary device and the specific genre of literature that makes use of the device. Just like a comedy is comedic because it uses comedy, a satire is satirical because it uses satire. For most of this entry, the word "satire" will be used refer to the device, not the genre.
- Satire often coincides with the use of other literary devices, such as irony, malapropism, overstatement, understatement, juxtaposition, or parody.
- Though most satires seek to draw laughter, there are many unfunny or even dark examples of satire, such as George Orwell's Animal Farm or Bret Easton Ellis's American Psycho, which criticize communist societies and capitalist societies, respectively.
How to Pronounce Satire
Here's how to pronounce satire: sa-tire
Satire as Literary Device vs. Satire as Genre
There are many novels, plays, and other works of literature that fall into the genre of satire. These works are all characterized by their consistent and sustained satirical attacks on their various targets. For instance, Mark Twain's Adventures of Huckleberry Finn satirizes the hypocrisies of pre-Civil-War society in the American South, especially its traditions of racism and slavery.
But satire is not only found in literature that falls into the broader genre of satire. To the contrary, satire is a device that can be used in many types of writing and art. For instance, a 2017 production of Shakespeare's Julius Caesarin New York City came under criticism for costuming Caesar (who gets assassinated in the play) in a business suit and bright red tie that closely resembled the standard garb of President Donald Trump. While the play Julius Caesar is not itself a satire, this costuming decision added an element of satire to the play, since it equated the despotic almost-Roman-emperor with an American president whom some have criticized as having tyrannical impulses of his own.
Satire and Humor
Satirists use humor not only to to ridicule their subjects, but also to gain the attention and trust of their readers. While readers might not always respond to a highly-conceptual, nuanced argument for change laid out in a dense manifesto or academic essay, they can easily and enjoyably recognize societal problems targeted by satirical writing. Some scholars have argued that the popular appeal of satire helps in bringing about actual social reform, since the use of humor makes it easier to disseminate political and societal critiques more widely.
However, humor is not a required element of satire. George Orwell's Animal Farm is one of the more famous satires ever written, but few people find humor in it—and in fact, many people find it to be a deeply unsettling and not-at-all funny book.
Types of Satire
Traditionally, scholars have divided satire into two main categories: Horatianand Juvenalian satire.These labels are derived from the names of the renowned Roman satiristsHorace and Juvenal, who originated each type. A third, less common type of satire is Menippean satire, named after Menippus, the Greek cynic and satirist. These labels are more of a classical framework for literary critics rather than a strict set of guidelines that all modern satires must follow, but they are worth reviewing because they can help make clear the wide variety of forms that satire can take.
- Horatiansatire is a gentler and typically comic form of satire in which the author or narrator takes aim at the common flaws in human beings, with the primary goal of entertaining readers and offering them useful insights into their own behavior. Horatian satire isn't generally written with the intention of bringing about social change.
- Alexander Pope's poem The Rape of the Lock is an example of Horatian satire that gently mocks the English upper class for its vanity and dim-wittedness.
- Juvenalian satire is often described as dark or tragic rather than comic. It uses irony to highlight and combat the wrongdoings of public figures and institutions. It is distinguished from Horatian satire by the more hostile tone it takes towards its subjects. For this reason, it's often used in more serious political writing.
- George Orwell's Animal Farmis a Juvenalian satire that isn't particularly funny. It ridicules communist governments for their total lack of equality.
- Though Alec Baldwin's portrayal of President Trump on Saturday Night Live can have its lighter moments, the bulk of his satire pointedly criticizes Trump, perhaps with the intent of shaming the president into altering his course or of mobilizing citizens to work against Trump's goals and policies.
- Menippean satire is less common than Juvenalian or Horatian satire, though it's the oldest type of satire. Menippean satires target mindsets or worldviews instead of targeting specific people. There is considerable overlap between Horatian and Menippean satire, since both often target people's stupidity or vices rather than targeting specific people, though the tone of Menippean satire is often harsher, like Juvenalian satire.
Literary Devices Used in Satire
Satire often depends on other literary devices to help it achieve its effect. Below is a list of some of the most common devices that satirists employ when mocking their subjects. Keep in mind that these devices are not specific types of satire—they're just devices that are commonly used as a part of satire (the device), or in satire (the genre).
- Verbal irony refers to the use of words to express something other than their literal meaning. This type of irony depends on a disconnect between what is said and what is meant or what is true—so satirists often use irony to suggest that a speaker is too much of a fool to understand a situation or, worse, a liar. Imagine if a public official told a group of citizens, "There's nothing to worry about!" right after a dam had broken before their very eyes. This would make for an effective satire of a government's careless response to a natural disaster.
- An anachronism is a person or thing that belongs to a time period other than the one during which a piece of writing is set. Satirists might use anachronism to demonstrate how out of touch a subject is with his or her society. For example, if the same public official in the example above told a 21st-century crowd not to worry because steamboats would come to rescue them, readers would understand that the implication was that officials were either too incompetent or too clueless to resolve the problem.
- Parody is the imitation of a literary style for humorous effect. Satirical authors use parody to attack literary conventions and traditional forms of rhetoric, often by exaggerating the key characteristics of the genre until they seem ridiculous or nonsensical. For example, in the prologue to Miguel de Cervantes' classic novel, Don Quixote, Cervantes satirizes the pompous literary conventions in his contemporary Spain by creating his own over-the-top imitations of the elaborate poems that other authors commonly cited in the prologues to their works. Other writers of the time cited such poems to impress readers and project a sense of authority, but Cervantes' parodies make clear that those other writers are merely pretentious and ridiculous.
- Understatement is downplaying something's size, significance, or quality. This device is useful to satirists because, like irony, it can often be used to portray a speaker as deceptive or foolish. If a politician understates the severity of his or her actions (e.g., "I don't think starting a war we couldn't win was the best decision"), it underscores just how ineffective and uncritical someone in a position of power can be.
- Overstatement is the exaggeration of something's size, significance, or quality. This device can also be used to underscore a speaker's shaky grasp on the reality of any given situation. A politician might overstate the extent of his or her achievements ("This was the best bill ever passed"), so satirists use the device to expose the disconnect between what someone says and the reality of the situation.
- Juxtaposition is a literary device in which an author places two things next to each other to highlight the contrast between them. In satirical writing, juxtaposition is especially effective when the combination is unexpected. For example, Seth Grahame-Smith's popular parody novel, Pride and Prejudice and Zombies, inserts zombies into the genteel world of Jane Austen's 19th-century England. Grahame-Smith could be said to be using juxtaposition to satirize either the propriety of Bennet's society, the ubiquity of zombies in American popular culture, or both.
- Malapropism is the humorous and usually unintentional use of a word in the place of a similar-sounding one. Because these speech errors have the potential to be embarrassing, satirists may portray people as fools by giving them malapropistic lines.
You can find examples of satire in most art forms, because artists who are critical of their societies may wish to bring about reform or simply to entertain their audiences by mocking familiar people or institutions.
Satire in Literature
There has been a long tradition of satirical novels that criticize and poke fun at all aspects of both society and humanity more generally.
Jonathan Swift's Gulliver's Travels
In this example from Chapter Four of Gulliver's Travels, Swift satirizes the historically troubled relationship between Catholics and Protestants in England, recreating the conflict as a battle over the correct way to eat eggs:
It began upon the following Occasion. It is allowed on all Hands, that the primitive way of breaking Eggs, before we eat them, was upon the larger End: But his present Majesty's Grand-father, while he was a Boy, going to eat an Egg, and breaking it according to the ancient Practice, happened to cut one of his Fingers. Whereupon the Emperor his Father published an Edict, commanding all his Subjects, upon great Penaltys, to break the smaller End of their Eggs.
The People so highly resented this Law, that our Histories tell us there have been six Rebellions raised on that account; wherein one Emperor lost his Life, and another his Crown. These civil Commotions were constantly fomented by the Monarchs of Blefuscu; and when they were quelled, the Exiles always fled for Refuge to that Empire. It is computed, that eleven thousand Persons have, at several times, suffered Death, rather than submit to break their Eggs at the smaller End.
While the battle between the two types of egg-eaters is clearly ridiculous—those who fight in it would rather die than eat their eggs "incorrectly"—Swift here is actually taking a jab at the religious quarrels that have played a major role in English politics for hundreds of years by recasting these disputes as frivolous and arbitrary. Swift makes it clear that he's satirizing religious conflicts in England with an allusion to the religious revolts that claimed the life of King Charles I in 1625 and caused his heir, James II, to flee to France. By juxtaposing the king's dramatic escape with the trivial law that led to it, Swift is mocking the seriousness of the ongoing feud.
Satire in Alexander Pope's The Rape of the Lock
In the Third Canto of The Rape of the Lock, Pope satirizes the vanity of his fellow Englishmen, describing a minor incident (in which a woman loses a lock of hair) as an epic event.
Sudden he view'd, in spite of all her art,
An earthly lover lurking at her heart.
Amazed, confused, he found his power expired,
Resign'd to fate, and with a sigh retired.
The peer now spreads the glittering forfex wide,
To enclose the lock; now joins it, to divide.
E'en then, before the fatal engine closed,
A wretched Sylph too fondly interposed;
Fate urged the shears, and cut the Sylph in twain
(But airy substance soon unites again),
The meeting points the sacred hair dissever
From the fair head, for ever, and for ever!
Here Pope alludes to a real-life episode in which Robert Petre stole a lock of hair from his love interest, Arabella Fermor. Pope satirizes the minor event by inflating its importance to epic proportions: he makes reference to Sylphs, which are mythological creatures who intervene in moments of crisis. Additionally, Pope overstates the male lover's frustration and the extent to which Fate played a role in the incident (the minor theft of a single curl). The repetition of "for ever" in the final line only heightens the humor of the situation: the hair will obviously grow back in a short amount of time. These lines are gentle jabs at his peers' fixation on appearances.
Additional Works of Satire in Literature
Some additional famous satirical works of literature, and their targets, are:
- Adventures of Huckleberry Finn(Pre-civil-war Southern society, in particular its racism)
- American Psycho(Consumer capitalist American society of the 1980s)
- Animal Farm(Communist in general and the Soviet Union in particular)
- Arms and the Man(Romantic ideals, particularly about love and war)
- Candide(Every powerful institution, from the Church to the military, of 18th century Europe)
- Catch-22(The U.S. military)
- Don Quixote(Among many other things, fictional books about chivalrous heroes that were popular when Cervantes wrote Don Quixote)
- Gulliver's Travels(English society, and humans in general)
- A Modest Proposal(English society, particularly in its dealings with Ireland, which at the time was under English control)
Satire in Film and Television
Satire is popular on television, especially on late-night talk shows like Saturday Night Live and The Late Night Show with Stephen Colbert, where hosts regularly target politicians and celebrities who have been in the news recently. Ssome famous satirical movies and their targets are:
- Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb(the Cold War, American geopolitics, the military industrial complex, and nuclear proliferation)
- Deadpool(Marvel superheroes, particularly their straight-laced style)
- The Wolf of Wall Street(American capitalists, in particular their lavish lifestyles and prodigious hedonism)
- Happiness(American suburban life, particularly its treatment of sexuality)
- Monty Python's The Meaning of Life(English society, particularly its propriety and religious convictions)
- Zoolander(The fashion industry)
- M*A*S*H (The U.S. Military)
Satire in Political Cartoons
For centuries, cartoonists have used satire to raise awareness of political issues and to belittle people in positions of power. Often, they present extremely unflattering portraits of public figures, with exaggerated facial features and outrageous outfits to emphasize how loathsome they are in the eyes of the artist and readers.
Satire in James Gillray's The Plumb-pudding in Danger
Published in 1805, this cartoon depicts the French emperor and British prime minister battling for bigger portions of a globe-shaped dessert. Gillray satirizes French and British political ambitions by recasting the two leaders' competition for global dominance as a fight at the dinner table. While leaders often present their expansion efforts as being for the good of the nation, Gillray links their desire for new territory to their endless appetite for personal fame and power.
Why Do Writers Choose to Write Satire?
Some authors write satire to raise awareness of social problems and apply pressure on the individuals or institutions responsible for creating them. However, satires don't have to explicitly call for social change—they may just be poking fun at human nature for the sake of entertainment. Writers can use satire for a variety of reasons:
- To bring attention to issues that might otherwise be overlooked.
- To advocate for social reform.
- To provide insight into human weaknesses.
- To amuse readers by bringing powerful figures down a notch.
- To invite readers to reflect on their own weaknesses and shortcomings.
- To mock literary or stylistic conventions.
- To recast strongly-held convictions as harmful and/or meaningless.
- To make light of, or quell anxiety about, unpleasant situations by making them fun.
Other Helpful Satire Resources
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Juvenalian and horatian satire
Juvenalian and horatian Satire
³Satire is a sort of glass, wherein beholders do generally discover everybody's face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.²
Jonathan Swift (1667-1745), Anglo-Irish satirist. The Battle of the Books, Preface (written 1697; published 1704).
Satire is known as the literary style which makes light of a subject, diminishing its importance by placing it in an amusing or scornful light. Unlike comedy, satire attempts to create humor by deriding its topic, as opposed to a topic that evokes laughter in itself. Satires attempt to give us a more humorous look at attitudes, advances, states of affairs, and in some cases ( as in Jonathan Swift¹s A Modest Proposal ) the entire human race. The least offensive form of satire is Horatian satire, the style used by Addison and Steele in their essays. A much more abrasive style is Juvenalian satire, as used by Jonathan Swift in the aforementioned essay A Modest Proposal. To better understand satire as a whole, and Horatian and Juvenalian satire in particular, these essays can provide for further comprehension than a simple definition of the style alone.
Horatian satire is noted for its more pleasant and amusing nature. Unlike Juvenalian satire, it serves to make us laugh at human folly as opposed to holding our failures up for needling. In Steele's essay The Spectator¹s Club, a pub gathering is used to point out the quirks of the fictitious Sir Robert de Coverly and his friends. Roger de Coverly is an absolute character. His failure in an amorous pursuit have left him in the past, which is shown through his manner of dress, along with his somewhat dubious honor of justice of the quorum. This position entails such trying duties as explaining Acts to the commoners. Also present is a lawyer who is more versed in ³Aristotle and Cognius² than in ³Littleton and Coke²(Norton, 2193), indicative of lawyers more interested in sounding learned than being capable of practicing actual law. Near him, a wealthy merchant whose concerns lie mainly in the wealth of England and himself, and who views the ocean as his marketplace. Captain Sentry is an old military man well practiced in the art of false modesty, a trait he detests in others. Also there is a clergyman who is so frail that he would sooner wait until the Lord sees fit to smite him than get on with the business of leading his life.(Norton, 2192-2195). All of these characters present traits present in all humans, but their presentation in such a silly and hypocritical context makes them humorous. In this way, Steele points out the reader¹s faults in an acceptable fashion.
Addison¹s Sir Roger at Church is a humorous account of Sir Roger de Coverly and the members of his parish. He gives books to his poorly read parishioners, ³will suffer no one to sleep in [church] besides himself² (Norton 2196), lengthens the Psalms, and pronounces his Amens repeatedly. At one point he stands and warns ³one John Matthews to mind what he is about²(Norton, 2196), and stop tapping his heels lest he disturb the congregation. The irony here, of course, is that Sir Roger has caused an even greater disturbance by standing and calling attention to this poor man (Norton, 2195-2197). An obvious poke at overly zealous churchgoers and clergymen, this work makes light of the entire situation. By doing so, readers find their own faults in a more humorous medium, rather than being affronted by a scathing attack.
The Juvenalian satirist approaches his work in a more serious manner and uses dignified language to attack erroneous thinking or vice. In this way Juvenalian satire evokes feelings of contempt, shock, and righteous indignation in the mind of the reader. It is this form of satire used by Jonathan Swift in A Modest Proposal. The irony is at once very subtle and very simple; Swift¹s proposal is not at all modest. In order to ease the economic burden of his countrymen, he proposes to eat surplus children in the populace, thereby creating a new food market and reducing overpopulation. He even suggest to sell these people by poundage. He uses stern logic to earn the reader¹s approval even before the reader knows of that which he is approving. This is done by taking the standpoint of a concerned humanitarian and patriot, when in fact his proposal is rather ghastly and inhumane. By ignoring the obvious immorality of his plan and speaking out of sheer benevolence, Swift makes this absurd proposition all the more outrageous (Norton, 2181-2187). The style he uses is quite serious and troubled, but the humor is easily appreciated in the far fetched jibe directed at those who always seem to have a plan for the common good and always have a logical explanation to justify their plan. While caustic and bitterly ironic, the selection exhibits a clever, albeit dry and weird, sense of humor.
Although satire, whether of the jovial Horatian style or the pitiless Juvenalian, can be affronting, there seems to be no malice in its mischief. Addison and Steele¹s intentions were only to improve the morals and intellect o their audience by challenging them to change. Thomas Swift even wrote in his ³prehumous² work Verses on the Death of Mr. Swift :
³Yet malice was never his aim
He lashed the vice but spared the name...
The satire points to no defect
But what all morals may correct...
He spared a hump, or crooked nose
Whose owners set up not for beaux...²(Abrams, 187)
In this verse we can see that the true aim of satire is not to ridicule faults of which a person is not aware or responsible, but to correct them.
1) The Norton Anthology of English Literature, Sixth
Edition, Volume I; Copyright 1993 W.W. Norton and Company, pp.2181-2197
2) A Glossary of Literary Terms, M.H. Abrams; Copyright
1993 Holt, Rhinehart and Winston, Inc., pp. 187-190
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